By inserting surreal elements into the body (instead of portraying solely its super realistic features), Grassi seeks to highlight our dual way of being: “Our inner side, intimate and extremely sensitive, in opposition to our interest in the appearance of things, like a vase, a pot, a shell. Beautiful and precious, but empty inside.”“The biggest challenge is always trying to maintain a level of extreme quality , both for the human figure and applied elements, trying to create a homogeneous work in every aspect, as well as overcoming the idea of painting in a way that imitates photography exclusively.”
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