Since the Beaufort Project started, Belgium’s coastal towns have grown exponentially in surreal sights. From Arne Quinze’s giant, indented orange rocks (Rock Strangers) to Jan Fabre’s self-portrait that has him riding a massive bronze turtle (Searching for Utopia), the exceptional pieces that earned a permanent spot at the end of the public art triennial make the country’s seaside a more exciting place to explore.
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