An accidental ghost town in the shadows of a nuclear power plant and, thus, a graffiti haven, the village of Doel has long ago been slated for demolition to expand the harbor of Antwerp. So far, however, the town is still there, having become an unofficial urban canvas for Belgian and international street artists in which to go hog-wild. As would befit the post-apocalyptic movie Doel seems to come straight out of, a dwindling handful of rebel inhabitants refuse to leave.
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