Three years later Davoud Mollapour directed
Shohare Ahoo Khanoom (
Madam Ahou's Husband), which revolutionized Iranian Cinema by portraying women’s role in the Iranian society at that time. It also showed actresses (Mehri Vadadian and Adile Eshragh) to be the heroes on big screen for the first time. In 1969, Masoud Kimiai made
Kaiser. With
Kaiser (Qeysar), Kimiai depicted the ethics and morals of the romanticized poor working class of the Ganj-e-Qarun genre through his main protagonist, the titular Qeysar. But Kimiay's film generated another genre in Iranian popular cinema: the tragic action drama.
