He was introduced to the “cinematographe” in France while they stayed in Paris in July of the same year to see the Exposition. On the same day of the Exposition, the Shah ordered Akkas Bashi to purchase all equipment necessary for recording and displaying the motion picture in his court. Akkas Bashi took his first images in Belgium while they attended the Festival of Flowers. These images are perhaps the first ethnographic footage taken in the history of Iranian cinema, even though its main purpose was documenting the Shah’s visit to Europe.