
In the second part of the Twentieth Century, some Iranian filmmakers protested against current cinema policies and, in a spirit of reform, they brought new social and political ideas into their movies. Eventually, as a result of a political evolution, a rare miracle called the “Iranian New Wave” occurred. A new movement had arrived in Iranian cinema. It was a kind of realism that changed Iranian cinema. It expanded through various films, and grew far away from the fears of an earlier era that had acted as a damper.