Jean-Léon Gérôme emerges from the pack not only as a transitional figure, but as a different kind of hero adopting photography rather than rejecting it. A teacher as well as an working artist, Gérôme accepted photography as just another means to achieving aesthetic goals and taught his students to feel the same. A prominent Orientalist, Gérôme actually trumpeted his use of photography as a way of boosting his documentary credibility.