Mohammadzadeh’s performances are often characterized by their physicality. He uses his body to convey emotions, to express pain, to show the weight of the world on his characters’ shoulders. He is not afraid to be vulnerable, to allow his emotions to pour forth in a torrent of tears, sweat, and tremors. This physicality is not gratuitous; it is an integral part of his performance, a way of expressing the unspoken, of communicating the inner turmoil that words cannot capture. He understands the power of the body to tell a story, and he uses it with masterful precision.
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