Economic protectionism is another, more subtle, reason for film censorship. By limiting the number of foreign films that can be shown or by making the certification process arduous, a country can effectively protect its own domestic film industry from international competition. This is particularly relevant in nations with emerging or state-subsidized film markets. By making it difficult for major foreign blockbusters to enter the market, a government can create a favorable environment for local filmmakers to thrive. This approach ensures that local stories are told and that a nation's film industry remains a viable economic and cultural force, independent of global influences.
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