When multiple photos document a sequence of events, as in photojournalism, they provide a clarity of chronological unfolding that written accounts often struggle to recreate without becoming tediously descriptive. Seeing the progression from a peaceful march to a violent dispersal, frame by frame, clarifies the speed, force, and point of no return in a conflict far more effectively than reading a narrative that attempts to reconstruct the same timeline using transition words and descriptive adjectives. The visual flow creates an undeniable sense of sequential cause and effect.
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