Even considering the limitations of photography—that it can be cropped, manipulated, or selectively framed—its raw, indexical relationship to the visible world remains its source of power. The clarity it offers is a challenge: an immediate presentation of evidence that dares the viewer to question the accompanying caption or the historian’s interpretation, functioning as a constant visual check on the reliability of the written word. It is a tangible piece of the past that resists being fully absorbed by the narrative.
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