When the subject matter deals with violence, atrocity, or profound social injustice, the photographic image achieves a clarity of documentation that text often softens or sanitizes. Descriptions of concentration camps, for instance, are necessarily indirect and abstract, relying on the reader's imagination to supply the horror, but the stark photographic evidence of the structures, the piles of possessions, or the skeletal figures leaves no room for ambiguity or euphemism. The visual record confronts the viewer with the unadorned fact of the event, serving as an immutable form of witness.
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