Central to his body of work is an unwavering commitment to the dignity of the individual. Whether he is depicting a group of female sports fans disguising themselves to enter a stadium or a pizza delivery man caught in the web of class disparity, he treats every subject with a deep, empathetic curiosity. He does not provide easy answers or political slogans; instead, he holds up a mirror to society, asking his audience to confront the human cost of rigid traditions and unyielding power structures. His films are often described as "quietly revolutionary," finding strength in observation rather than overt protest.
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