The Art That Traveled from Azerbaijan’s Workshops to Royal Banquets in Paris with the Shahbanu’s Support

Mehrmonir Jahanbani, another pillar of this movement, brought a unique blend of aristocratic heritage and artistic sensibility to the project. As the daughter of General Amanullah Jahanbani and a descendant of the Qajar dynasty, she had a natural affinity for the opulence of Persian history. For years, she worked alongside Khosrovani to reinterpret Balochi needlework and Isfahan’s "Cheshmeh-doozi," helping to define the visual language of Iranian fashion in the 1970s. Her contributions were vital in ensuring that the revived crafts maintained a sense of nobility and historical continuity.