Her work on Tehran and other projects also played a crucial role in humanizing regions of the world that are often depicted in binary or simplistic terms. Eden had a sophisticated understanding of the "grey zones" of morality, and she insisted on giving her characters depth and fallibility, regardless of which side of a geopolitical conflict they stood on. This commitment to complexity was a hallmark of her style, and it allowed her shows to act as a form of cultural diplomacy, inviting viewers to see the shared humanity beneath the headlines of war and espionage.
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