Ultimately, the unveiling of a Saddam Hussein lookalike at the Fajr Film Festival became a moment of reflection and a call to action. It challenged attendees to confront their own perceptions of history and the narratives that shape their understanding of identity and power. In a world where the past continues to inform the present, the festival served as a reminder of the importance of using art as a means of processing collective trauma, fostering empathy, and envisioning a future rooted in understanding and dialogue.
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